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Guitars:

 

Gibson SG-3

 

 

 

I bought this in February of this year (2009).

Near the end of the previous year, for some reason, I got a hankering for a new guitar.  The white Les Paul Studio I got the year before didn't really live up to what I was hoping for.  From there I decided that no matter what my next guitar was, it would have to be something with 3 pickups.  I didn't even care if it was going to be an Epiphone but I wouldn't get a Fender.  It got narrowed down to either an Epiphone Les Paul Custom, an Epiphone SG Custom or an SG-3 that I remember reading about.

After a bit of deciding, I went with the SG-3 for 2 reasons.  One, being that it would make a great backup guitar for playing out, and two, they're discontinued.  Once I found that out, I went to the music store to get it because at the time, there was one hanging on the wall.  Of course when I went to get it somebody just bought it.  So I ordered one (red or black didn't matter) and it would be coming from another store.

Luckily, I ended up getting a red one.

People in Vancouver must be hard on stuff because a few of the knobs and washers weren't tight. Good thing I have a screwdriver set.  Then again, an SG in Vancouver probably doesn't make much sense.

It's a bright guitar, mainly from the lack of wood.  Also, it's super-light, which is why they made them in the first place and the neck is pretty great.  It's somewhere in between the SG Standard and SG Classic that I used to have.

Pickup-wise, it came with 2 57 Classics in the front and middle, and a 57 Classic Plus in the back. That was one of the clinchers for me getting it since I love the 57 Classics in my Studio, and to know I'd save over $400 by not having to replace something like Gibson's 490s was nice.  Of course, that didn't stop me from switching out the 57 Classic Plus and replacing it with one of the 57 Classics I had in my white Studio.  Actually, I had to.  The 57 Classic Plus' are too bright (I still can't understand why the brighter pickup gets thrown in the back position).  Now, having all 3 of the same pickup type is perfect and makes it that much more practical.  Also, it went through the usual Tone/Volume pot swap.

The 6 way switch is actually pretty inventive.  I didn't know if I would like it but makes pretty good sense and I'm used to it now.  1st position is the front pickup; 2nd position is the front and middle pickups together; 3rd position is the middle pickup on its own; 4th position is the middle and back pickup (just like the middle selection on an SG Custom); 5th position is the back pickup, and; 6th position is the front and back pickups together.  So it's like a Strat only with quality.

Playing a Les Paul is almost like a security-blanket sort of thing for me, anything else is a little alien - but this thing is a treat.  I've really only used it "out" one night since everything was fixed up on it and I ended up playing it the whole night.  It passed the test.  I think eventually it make more than just a showing.

I don't view an SG as just a rock/metal guitar.  I used to actually, up until I bought my first one.  They are better than they get credit for and far from being one-dimensional.  Is it a Les Paul?  Of course not but not too many things are.  But as its own guitar, SGs are a fine instrument - especially this one.   This really is a luxury instrument.

 

Specs:


Year: 2007 (guessing)

Serial Number: C-217

Body: Sculpted (I love that word) mahogany,  unbound.

Neck: Mahogany, bound.

Fingerboard: Rosewood.

Machine Heads: Gibson Deluxe.

Pickups: Gibson 57 Classics

Bridge: Six saddle bridge and stop bar tailpiece.

Knobs: Black top hat w/gold-tinged foil inserts.

Toggle Switch: six-way chicken-head knob.

 

Pics:

 

Above: mine.  Below: not mine but you get the idea

 

Songs:

 

Want Me For My Brains from the CD Gets Scared - all guitars

Get Out from the CD Gets Scared - lead guitar

Ransom Note from Blind Date - right-ear guitar

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